get me some HAIR!
A film by Lars Bartels and Marian Kiss, funded by the Beauftragten der Bundesregierung für Kultur und Medien, in coproduction with WDR/arte
Commissioning editor: Sabine Rollberg and Monika Pohl
Dramaturgical advice: Tamara Trampe
A marvelous and deep love-story with extraordinary women and great pictures, which unfolds between Germany, Jamaica and Myanmar. Lars Barthel takes us on to his poetic-political journey into the universe of the hair of black women and narrates a story of colonial trauma, black and white, women and men. A change in perspective.
A film by Maria Wischnewski on behalf of rbb
Director of Photography: Felix Leiberg,
Cutter: David Hartmann
Commissioning editor: Jens Stubenrauch
“Clärchens“ in Berlin-Mitte is a place, which has become rare in Europe, a place threathend by extinction, however, full of lust and life… A melting pot of generations and eras. A place of tradition and patina, full of legends, where time stands still or has never stopped. For over a century people have been dancing here: Clärchens Ballhaus has weathered two world wars and five social systems and is, today, more popular than ever.
“Clärchens” is the only one of about 900 Berlin Ballrooms which has outlived imperial times and where people still dance every day. The last witness of a past Berlin Ballroom culture. A step behind the scenes of this secretive place and into a hundred years of Berlin history with Katharina Thalbach, Max Raabe, Wim Wenders and more.
The Springer Tower
A film by Maria Wischnewski on behalf of rbb
Director of Photography: Marcus Winterbauer
Editor: Oliver Szysza, Sound: Moritz Springer
Commissioning editor: Jens Stubenrauch (rbb)
The Springer tower in Berlin made history as a medial complex and enemy, with international resonance. The film will tell the story of this (in)famous house, a story of provocation and contestation for the series »Geheimnisvolle Orte« – with Jakob Augstein, Stefan Aust, Mathias Döpfner, Julian Reichelt, Friede Springer.
Dagmar Manzel – Portray
A film by Josephine Links and Maria Wischnewski
Director of Photography: Michel Links and Martin Langner
Editor: Kristine Langner
Commissioning editors: Fatima Abdollahyan (BR), Petra Felber (BR), Matthias Morgenthaler (MDR), Titus Richter (MDR) & Jens Stubenrauch (RBB)
Dagmar Manzel – one of the greatest actresses of our times. A woman who acts, dances and sings with her heart and soul, who is able to alter and rediscover herself again and again. As a Frankish Tatort commissar the German television has come to love her, her plays at the Deutsches Theater are sold out for months, her success continues as a singer at the Komische Oper and other houses. Since the 1980s she has been an actress for the most notable German directors and has won many important prizes.
Nevertheless, Dagmar Manzel from East-Berlin is nothing like a Diva: The director of the Komische Oper, Barrie Kosky, describes her as “the most down-to-earth diva there is”. Next to all her fame she has managed to sustain her own freedom, a special devotion to her work and a wonderful sense of humor and view on life. A film dedicated to the sixtieth birthday of this Berliner icon.
THEATRE, FILM, DISCUSSION – An interdisciplinary project in collaboration with the Akademie der Künste, the Hochschule für Schauspielkunst Ernst Busch, Deutsches Theater and the Goethe-Institut. Funded by Hauptstadtkulturfonds.
A documentary by Grete Jentzen and Lars Barthel
Do we still need theater in the 21st century? We will dare to approach this question with an interdisciplinary all round examination of the situation of the theater, starting with a specific contestation with the works of Gosch. Have we maybe lost the basic impulse in debates and fights concerning the director’s theater, the post-dramatic and the cultural-political struggle for existence?
Part of this project will be valuable film material from Lars Barthel, which allow us a deep insight into the last years of Gosch’s life and holds on to the intense work and rehearsals with his actors up until his death. What was, what is the secret Jürgen Gosch bares in his way of making theater. This material, which observes the director with his actors, shows us what it means to live theater and love art with the heart and soul until death do you part. With Ulrich Matthes, Corinna Harfouch, Meike Droste, Christine Schorn…
Bauhaus women –
A film by Susanne Radelhof in celebration of 100 years of Bauhaus 2019. Commissioning editors: Reinhard Bärenz, Matthias Morgenthaler (mdr) & Jens Stubenrauch (rbb)
Bauhaus is the home of the avant-garde and the foundation of modern architecture. Today, almost 100 years after being founded, the Bauhaus-masters continue to be the stars of the architecture and design history. However, the (his)story of the Bauhaus remains male dominated. Only experts know the names of the female contributors of the art school, even though a great part of its innovative potential goes to its women.
The documentary “Bauhausfrauen” is a homage to the forgotten Bauhauswomen and shows: The Bauhaus idea is alive and is also HERstory.
tv screening at 13th of february 2019 at ARD
We The village
A film by Antonia Traulsen and Claire Roggan
In collaboration with NDR (commissioning editor: Timo Grosspietsch) and NEUE UFER FILM production
Funded by nordmedia and Filmförderung Hamburg Schleswig-Holstein
Somewhere, in the middle of the structurally weak region, the Wendland in Germany, people have decided to found a village. A model village for Europe’s future, for a hundred old, a hundred refugees and a hundred young people. By now, this social experiment has already come to be a micro cosmos of society. Just like under a burning lens, hot topics are discussed and solutions are found to the problems, that affect us all: the integration of refugees, an aging society, social isolation and the difficulties of people with disabilities, seniors or single parents, the lack of perspective for young people in the provinces…
It is a mammoth project, a bureaucratic hurdle race, an idealized utopia – spun and carried by very special protagonists. The village can become the prototype for a European way of life on the country side, it can, however, also end in an ecological senior residency.
A Portrait film by Susanne Radelhof on the occasion of the temporary closure of the Bauhaus-Archive
The Bauhaus, as the most important school for architecture, design and art of the 20th century is in its self-conception a school of thought, an idea workshop. Also the Bauhaus Archive in its function never understood itself as a place for keeping the „finished“, but rather as a space for contestation with the conceptual model of Bauhaus as well as a space to question the „old ideas“ and their relevance. The portrait film will present the Bauhaus Archive as a reservoir of ideas, as a memory store preserving, analysing and mediating the Bauhaus ideas.
If the archive is temporarily closed due to the construction work, the cinematic portrait will act as a substitute and – if the building is covered at times – it will explore and capture its special architecture in impressive pictures.
The double and the pope
A film by Joanna Ratajczakv
in cooperation with rbb
1979 – Europe is dominated by the Cold War. The iron curtain is the opaquest curtain of all. Nevertheless does the 27 year old Michael Frankenstein from the GDR board the west-German Lufthansa plane from Warsawa to Frankfurt with wrong papers. In his stead the Scott Bryan Cuningham stays in Poland to do a schooling in a monastery as Michael F. In the meantime Michael F. travels through Western Europe and finally fulfills his dream of meeting the Pope at his audience in Rome. After 14 weeks of freedom Michael returns to the GDR and continues his life as usual.
40 years later Michael and Bryan will meet again. With atmospheric graphic novel elements the film will tell their incredible story.
A film by Leopold Grün and Dirk Uhlig
Director of Photography: Martin Langner
Breaking out of failed life plans in their home countries, Laima, Irek, Andrzej and Micha venture a fresh start far from home. Opposite of a metropolitan city port they find shelter under the concrete vault of a bridge. Above them, the traffic rumbles. Here they have built their own home, free from wealth and social affiliation, by giving their lives a structure, a sense of community, sensuality and humor. With a growing closeness, the film Westhafen will follow the protagonists and show how they resist the abyss of their existence everyday and thus find their own sovereignty.